George Lenz

Actor | 1967 | German | Salzburg/Munich

Personal Data

Languages: German (mother tongue), English (fluent)

Residence: Salzburg/Munich

Place of birth: Germany

Nationality: German

Height: 1.75m (5' 8.9“)

Hair: brown

Eyes: blue

Training: Schauspiel Munich, Friscay Kali Son (HFF Munich), Workshop with Björn Johnson

Accents: british

Musical instruments: drums

Dance: ballroom

Sports: diving, judo, kyudo, riding, skiing, stage fighting

Driving licence: car (B)

Others: stunt experience

Feature | Television

2021 | Tatort - "Dreams“ | Neuesuper | ARD | TV series | Director: Jobst Oeztmann

2019 | Adults in the Room | KG Productions | feature film | Director: Costa Gavras

2018 | Ein Dorf wehrt sich - Das Geheimnis von Altaussee | Hager Moss Film | ZDF, ORF | TV series | Director: Gabriela Zerhau

2018 | Das erste und das beste Mal | Construction Filmproduktion, Degeto | ARD | TV movie | Director: Andreas Herzog

2017 | The Alienist | Paramount Televison | TV series | Director: Paco Cabezas

2017 | Genius: EINSTEIN | Fox 21 Television | National Geographic Channel | TV series | Director: Ron Howard

2017 | Blaupause | HFF Munich | short | Director: Maya Duftschmid

2016 | Gefangen - Der Fall K. | Zeitsprung Pictures | TV movie | Director: Hans Steinbichler

2014 | Salting The Battlefield | Carnival Productions | TV movie | Director: David Hare

2013 | 37 Days | Hardy Pictures | BBC | TV movie | Director: Justin Hardy

2012 | Autumn Blood | Dreamrunner Pictures | 108 Media | feature film | Director: Markus Blunder

2012 | Munich '72 | teamWorx | ZDF | TV movie | Director: Dror Zahavi

2009 | Man in the Road | 2 Many Executives | short | Director: George Milton

1997 | Appetite | G and M Entertainment | feature film | Director: George Milton

Stage

Audio

Born in Germany and raised in Tyrol/Austria, George at first wanted to become a stuntman. He quickly realised his life would be about acting when his wonderful teacher founded a drama group. In 1988 he was admitted to the first German method acting school and one of the most intense, beautiful and revealing times had begun. “Three school years felt like nine human years”, says Lenz. In this school and also through many conversations with visual artists, it more and more revealed which role acting would play for him. With most films and stage plays we will certainly not change the world, but we get the chance to sweep people away, enthral them, scare them, move them and enchant them, maybe even inspire them. In films such as the English production APPETITE or Hartmut Schoens VOM KÜSSEN UND VOM FLIEGEN he truly accomplished that.

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Contact

Contact

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